In a process of postmortem self-destruction …

… the body’s enzymes dissolve dying cells while microorganisms originating in the gastrointestinal tract break down proteins. The resulting putrefaction leads to discolouration of the skin and liquefaction of soft tissues. The corpse attracts flies in a matter of minutes, which lay their eggs in all orifices. Subsequent maggot masses contribute significantly to the dissolving of flesh. As the decomposition proceeds, fatty tissue may evolve into a white, greasy substance called adipocere. The skin will shift over time and develop creases and tears, wherefore gases bloating the cadaver are released.

2026
acrylic and oil on textile
clay, underglaze, glaze
270×80cm

Kim Grossenbacher’s practice is based on their attraction to fields that offer glimpses into the human’s inner workings, such as pathology, surgery, forensic medicine and body horror. Their work ventures into territories of unfamiliar textures, forms and fluids while exploring the societal and psychological reasons why certain aspects of the body are commonly avoided.
Processing these feelings of seduction and disgust through the mediums of painting and ceramics, they aim to immerse the viewer in a visual world where the boundaries between body and landscape, self and matter begin to disappear.

The portrayed work delves into the topic of human decomposition and the interrelated fear of losing one’s sense of identity.
Field of Study

0 Kommentare