{"id":2977,"date":"2021-03-16T13:08:27","date_gmt":"2021-03-16T13:08:27","guid":{"rendered":"https:\/\/hub.hslu.ch\/design-film-kunst\/?p=2977"},"modified":"2024-06-25T11:30:03","modified_gmt":"2024-06-25T09:30:03","slug":"in-game-photography-mit-marco-de-mutiis","status":"publish","type":"post","link":"https:\/\/hub.hslu.ch\/design-film-kunst\/in-game-photography-mit-marco-de-mutiis\/","title":{"rendered":"In-Game Photography mit Marco de Mutiis"},"content":{"rendered":"\n<div class=\"container container--default\"><p>In den vergangenen Jahrzehnten hat sich alles an der Fotografie vervielfacht. Mehr Webseiten und Publikationen zeigen mehr Bilder von mehr Fotografinnen und Fotografen. Wir alle sind mit unseren Gadgets zu Bildproduzentinnen und Bildproduzenten geworden. <u>Wir halten alles mit der Kamera fest \u2013&nbsp;unseren Alltag, unseren Food, uns selbst \u2013<\/u>&nbsp;und senden die Bilder \u00fcber die digitalen Netzwerke in alle Richtungen. Und auch die Bilder selbst wollen nicht stillhalten. Sie nehmen durch Photoshop und Deep-Learning-Algorithmen immer wieder neue Gestalt an.<\/p><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"[\u042f\u018e:SEARCH] In-Game Photography with Marco de Mutiis\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CH8zx8b0bgQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><p>Das Forschungsprojekt Post-Photography der <a href=\"https:\/\/www.hslu.ch\/de-ch\/design-film-kunst\/forschung\/visual-narrative\/#?filters=1216\">Forschungsgruppe Visual Narrative<\/a> widmet sich dieser Diversifizierung fotografischer Bildkulturen. Das durch den Schweizerischen Nationalfonds SNF finanzierte und von Wolfgang Br\u00fcckle geleitete Projekt erforscht die neuen Netzwerke der Bildproduktion und die dadurch verursachten Auswirkungen auf uns Menschen, unsere Werte und die uns umgebenden Machtstrukturen. Fotografien entstehen an zunehmend unerwarteten Orten. Etwa wenn Maschinen Fotos f\u00fcr Maschinen machen, wie es etwa in Fabriken bei der Fliessbandproduktion vorkommt. Oder wenn wir mit unseren Kameras auf die Welten von Videospielen blicken.<\/p><p><u>Marco de Mutiis (Video) untersucht in seinem Teilprojekt das Wechselspiel zwischen Fotografie und Games.<\/u> In-Game-Fotografie bezeichnet eine Praxis, in der die k\u00fcnstlichen Welten der Videospiele fotografisch festgehalten werden. Die g\u00e4ngigen Definitionen von Kamera, Fotografin und Betrachter greifen hier nicht mehr. Aber auch die g\u00e4ngigen Regeln der Spiele werden ausser Kraft gesetzt. In-Game-Fotografinnen spielen Games nach ihren eigenen Regeln. Sie sind nicht auf der Suche nach dem n\u00e4chsten Powerup, sondern nach einem visuell interessanten Augenblick. Manchmal wird das Fotografieren inzwischen sogar zur vorgesehenen Aufgabe im Spiel. In Pok\u00e9mon Snap werden die Schnappsch\u00fcsse der Spielenden nach Objektgr\u00f6sse und Bildausschnitt bewertet. Bildproduktion wird zu einer T\u00e4tigkeit, bei der man gewinnen oder verlieren kann. Und das ist uns eigentlich nicht unbekannt. <u>Wer erh\u00e4lt die meisten Likes f\u00fcr einen fotografierten Sonnenuntergang?<\/u> Wer l\u00e4sst sich selbst besonders jugendlich aussehen\u2026 oder als noch einmal schlanker denn zuvor? Fotografieren als Spiel \u2013&nbsp;als Wettkampf sogar \u2013&nbsp;hat mit Instagram &amp; Co. l\u00e4ngst Einzug in unseren Alltag gehalten.<\/p><\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n","protected":false},"author":238,"featured_media":2979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","_themeisle_gutenberg_block_has_review":false,"featured_image_focal_point":[],"footnotes":"","_links_to":"","_links_to_target":""},"categories":[132,114],"tags":[],"werke_bachelor":[],"werke_master":[],"class_list":["post-2977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-forschung","category-search"],"acf":[],"yoast_head":"<!-- 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